Dmytro Kniazhechenko | Sound Designer

Jennifer Aniston & Alex Warren - Tour Announcement

Nissan Z - Life is Made of Moments

Tony Hawk - Cancerguard

Arby’s with Whitney Leavitt - All in on Chicago

Sephora with Brooks Nader - Chris McMillan

Jennifer Aniston & Alex Warren - Tour Announcement

Nissan Z - Life is Made of Moments

Tony Hawk - Cancerguard

Arby’s with Whitney Leavitt - All in on Chicago

Sephora with Brooks Nader - Chris McMillan

7000+ min

duration of completed content

2 awards

for best sound

9+ years

of experience

"Dmytro is an absolute pleasure to work with. He has great creative instincts, attention to detail, and a fantastic work ethic. I hope to work with him again on many future projects."

Brandon Jones

Supervising Sound Editor | Re-Recording Mixer | Creative Audio Lead

"Dmytro's work blew me away the moment I listened. When it came down to collaboration, he was open to all suggestions and directions, fine tuning every detail of the soundscape. What I really enjoyed is that he brings his own ideas and expertise to the project."

Kevin Jin Kwan Kim

Film Director

"Dmytro is not only a pleasure to work with, but also one of the best detail-oriented SFX designers we've worked with. He has a keen ability to make worldbuilding both cinematic and emotion-building - the highest goal of any exceptional design experience."

Nick Panama

CEO at SALT Audio

It’s those moments that can be completely elevated by sound into something better than anyone could have imagined.

My mission is to find the 'WOW' factor!

How much does this cost? Can you work within an indie/limited budget?
Pricing is per-project, custom-quoted - not hourly, not day-rate. That's what makes working with indie projects and tight budgets actually possible: no one's watching the clock, and the conversation starts with what your film needs, not what my time costs.
What deliverables do I get? Stems, M&E, print master ?
You get the final mix in both 5.1 and stereo, plus full stems for each. So you're set for theatrical, streaming, festival submissions - whatever shows up down the line.
How many revision rounds are included? What happens if I need more?
Three revision rounds come standard with every project. Need more? Just tell me and we'll work it out. The goal is getting the sound right, not counting rounds.
How long does a typical short or feature take from handoff to delivery?
Rough ballpark: shorts take 1–3 weeks, features land around six weeks. But honest answer - I can't commit to a real timeline until I've seen the material. Every project has its own surprises.
Do you do online remote review sessions, or just deliver and discuss notes async?
Since I work worldwide, I usually suggest reviewing everything asynchronously via Frame.io, where I upload the video with the mixed audio. You can leave your comments and feedback right there on the timeline!

Okay, enough about me. Your turn! 👉

Okay, enough about me. Your turn! 👇

About Me

About Me

Commercials

Commercials

My Results in Numbers:

Testimonials

My mission is to find the 'WOW' factor!

Pricing is per-project, custom-quoted - not hourly, not day-rate. That's what makes working with indie projects and tight budgets actually possible: no one's watching the clock, and the conversation starts with what your film needs, not what my time costs.

You get the final mix in both 5.1 and stereo, plus full stems for each. So you're set for theatrical, streaming, festival submissions - whatever shows up down the line.

How many revision rounds are included? What happens if I need more?

Three revision rounds come standard with every project. Need more? Just tell me and we'll work it out. The goal is getting the sound right, not counting rounds.

How long does a typical short or feature take from handoff to delivery?

Rough ballpark: shorts take 1–3 weeks, features land around six weeks. But honest answer - I can't commit to a real timeline until I've seen the material. Every project has its own surprises.

Do you do online remote review sessions, or just deliver and discuss notes async?

Since I work worldwide, I usually suggest reviewing everything asynchronously via Frame.io, where I upload the video with the mixed audio. You can leave your comments and feedback right there on the timeline!